In The Red Canoe: Love in Its Making Joan Handler brings both honesty and balance to the intricate world that is a marriage. Her means are consistently inventive as her lines enact feelings and thoughts. Her focus is unremitting as she makes the reader feel how much pain and glory can go into two people trying to accept one another. This book is unmistakably poetry but has the feel of a novel – one wants to know what will happen to these people.
Baron Wormser

When I began to read The Red Canoe, the poems’ spatiality perplexed me. I wondered about the bizarre shapes and halts of the words and even the letters on the page. Slowly, the meaning of the spaces visited me. These poems invite their reader into private, hidden, unutterable spaces—the cul-de-sac behind the cervix, the gaps between adjoining vertebral bodies, the marriage bed. What courage it must take to see with this dramatic, piercing gaze. In acts not of anatomy but of vivisection, the blade of sight cuts through skin, fat, fascia, down to bone. Handler finds the very most fundamental elements of that which is caught in her net—the cruelty of Catholics and Freudians in their superior and unforgiving sneers at their deepest selves, the remote but tender silence of the grey-eyed husband who can only steal looks at his wife, the possession so intense of the son that it can only be rendered in prose.

Love here exceeds its bounds. Spilling over into body, food, sex, childhood, appetites, ideas, and pain, the poems achieve a brilliant fusion of the particular and the universal, the seen and the undergone, the body and the self. We are lustier, brawnier, better-fed beings for the prospects of Handler’s gifts.
Rita Charon, M.D., Ph.D, Program in Narrative Medicine, Columbia University

The Red Canoe is a work of tremendous metaphoric complexity and richness, in  which a woman’s pain – braided into a troubled marriage, branded upon an injured body – ultimately find relief in the transformative power of language.  Joan Cusack Handler’s dual guises as therapist and poet merge as one in this healing book which, in the end, is an articulation of a keen intellect animated by heart and hope.
Raphael Campo, M.D.